Guide Tales And Traditions Of Teesdale

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Get Directions. Greenside Banner being paraded through the village, circa 's. We wish to build on the work that we have already begun through the following measures: Commission of a new Greenside banner, the current one is in such a poor state of repair that it will not last another outing. Development of a local history exhibition with the old Banner at the heart of it.

‘Seasons of Love’ – Opera North & [email protected] Collaboration

Development of a schools pack with a range of audio visual materials. Production of an updated and expanded video. Recruitment and training of volunteers to deliver educational talks in local schools and organise workshops in communities across West Gateshead. Location Ryton, Tyne and Wear.

Archive location North East Archive subject trade and industry Archive activity education pack Information incorrect or out-of-date?


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North East. Add an archive. Do you know a community archive that isn't in our list? Please add it. Her awareness of the dramatic possibilities of working in black and white and of the form that is achievable by clear, clean line is the essential nature of her engraving. She finds fascination and inspiration in the various forms of plants, as well as the myth and folklore surrounding medicinal plants.

Theatre subjects have also captivated her since she first became enamoured by transformation scenes in pantomimes. The exhibition was organised in response to a surge in interest in lace, with collections by designers like McQueen, Dior and Valentino as well as the Sarah Burton dress worn by Kate Middleton at her wedding to Prince William earlier that year.

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A display of Dickens-related objects to mark the anniversary, including an exceptional scale model of his house at 48 Doughty Street in London now the Dickens House Museum. It has been loaned by Margaret Watson, a Friend of The Bowes Museum, who painstakingly put it together over many years, with assistance from a variety of local craftsmen and specialists in miniatures. A unique oil painting by Phiz of a scene from Nicholas Nickleby had been loaned by a private collector for the display.

The dress was created by French fashion designer Madame Paquin, known for her modern and innovative designs. Credited with being the first female couturier, in the early s she had a prestige equal to that of The House of Worth, clothing the wealthy elite. John P. Eckblad worked as a management consultant to large petrochemical complexes on Teesside in north-eastern England and in northern Europe.

In northern England in about , he purchased his first print of what has become a significant collection of works on paper depicting various aspects of the Industrial Revolution and of the progress of industry.

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The exhibition explored this remarkable collection, assembled over the last three and-a-half decades by John P. Eckblad on the subject of work and industry - focussing on heavy industry — the trinity of coal, iron, and steam. Between the s and the s that trinity, beginning as an exotic addition to human life, progressed to an all-encompassing framework for civilization. It did not begin the industrial revolution but it drastically changed the scale and pace of industrial development, transforming the economy, the appearance, and the culture of Europe and America during the nineteenth and twentieth centuries.

A unique exhibition of textile sculptures created by textile artist Naseem Darbey. The display was a dramatic showcase of her techniques with theatrical shadow sculptures, inspired by the exciting but short life of fashionable socialite Mary Louise Roosevelt Burke Butterfield. As an artist and visual storyteller, Naseem explored the relationship between drawing and textiles. Her unique and complex works commenced with her drawing directly with a sewing machine, before they are eventually transformed into three-dimensional sculptures each telling their own unique story.

An exhibition aimed at families, exploring the customs and traditions surrounding life and death in Ancient Egypt. You could follow the journey to the afterlife from the magical spells and the strange superstitions to the bandaging of bodies and the fascinating burials. With treasures abounding and organs galore, this exhibition promised to give visitors a real taste of how the Ancient Egyptians saw the afterlife.

This exhibition celebrated the ingenuity and creativity of British fashion designer Vivienne Westwood, focusing on her designs of the ultimate fetish object: the shoe. Flower power was the theme running through the first large scale show in Britain to celebrate the still life paintings of Henri Fantin-Latour. As part of the national museumaker project the Museum commissioned work by maker Laura Baxter. Laura is a craftsperson who uses metals, glass and wood to create jewellery, lighting and decorative installations, combining hand craftsmanship with modern laser and water jet cutting technologies and unique shape memory alloys.

The lanterns were displayed in the parterre garden. As darkness fell the delicacy of lace was revealed in each lantern bird. Laura also lead a series of free creative workshops, involving young adults, throughout the period of the exhibition. There was also the opportunity to head out to meet the artists in their studios during Teesdale Open Studios itself.

A retrospective exhibition of the work of internationally acclaimed animal sculptor Sally Arnup, which featured bronzes of a wide range of animal and birds. The complicated process of making a bronze was explained within the exhibition and the works were for sale. This exhibition was part of the annual Swaledale Festival, which, for the first time in its 30 year history, extended its activities into Barnard Castle. Taking the local landscape as inspiration, each student was paired up with one of 15 professional artists, who acted as mentors and gave guidance during the preparation of the pictures.

This exhibition explored the genre of Sporting Art in Britain, from horseracing and hunting to boxing, footballand cricket. The small panel, A Miracle of the Sacrament by Sassetta, painted in Siena c, has a dramatic tale to tell.

It shows a cleric, struck dead as he is offered the Host during Mass. Even more dramatically, a devil swoops down to snatch his soul as it leaves his body. During the s he produced designs to illustrate volumes of poetry by some of his most celebrated contemporaries including Sir Walter Scott, author of the epic poem Rokeby, which is set in the countryside between Rokeby Park and Barnard Castle. Visitors to The Bowes Museum could wallow in a trip down memory lane at this major Toy Tales exhibition. A prestigious exhibition which explored many of the most popular Bible stories visualized by Western artists and craftsmen.

This was the first ever Teesdale Open Studios, where artists around the dale welcomed visitors to their studios, with the Museum acting as a central hub, featuring a piece of work from each. A lecture by Brian Sewell formally opened the event. This lecture sold out.

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Tunnicliffe created some of his best loved images when producing a series of wood-engravings for the edition of Tarka the Otter. The popular Brooke Bond Tea cards, which were collected by millions of British youngsters in the 50s and 60s, also featured his talents. His work was complemented in this display by that of Archibald Thorburn, John Cyril Harrison and their contemporaries. Thorburn received much of his early training from his father, a leading miniature painter and favourite of Queen Victoria, from whom he inherited his eye for detail.

The Tales- Book Two | Tales and Traditions of Teesdale

As a young man Harrison studied and sketched birds, learning anatomy from the practise of taxidermy. His study of birds included travels to Scotland, Iceland and Africa, resulting in his illustrations featuring in prestigious publications of the day. He lived for many years in Norfolk, where he painted the rare birds of the Broads and game birds in their natural surroundings.

Through the precise study of anatomy and the accurate depiction of the landscape these artists capture the drama and action of birds hunting their prey, the tranquillity of a wading snipe to the extraordinary display of magpies roosting. This collection of wildlife paintings was donated to the Museum in by Miss Sandra Grewcock. Using gold leaf and sumptuous colour applied to vellum, paper and canvas, she creates spiritually compelling images, often with symbolic underlying themes — red for the blood of life, green for youth and rebirth, blue for heaven and aspirations, and gold for eternity.

A retrospective of this acclaimed 20th century Teesdale based photographer, featuring landscapes, fashion photographs, portraits and more.

A tribute to the renowned 19th and 20th century Teesdale photographer. An eclectic record of Barnard Castle and the dale. The Bowes Museum offered visitors a taste of the Orient with a special showcased display of objects celebrating the influence of Chinese design, to acknowledge the year of the Beijing Olympics. It was a style inspired by art and design from China, Japan and other Asian countries that was at its height from to Imported porcelain, silk and lacquerware from China and Japan became extremely fashionable, leading European designers to imitate the style or create fanciful imagery of an imaginary China.

Other items included an embroidery panel, an oil painting and a stylish gilt-bronze fish. This exhibition explored plants and their continued inspiration to designers. These contemporary textiles were displayed in the historic setting of The Bowes Museum including the English Period Rooms. The students' assignment was to produce an individual piece based on plant forms.

They drew on historic and contemporary sources including museums, magazines and paintings for inspiration. They then produced a wide body of work, from sketches to models, which contributed to the final piece. These sketches and models were included as part of the exhibition, to illustrate the design process.

Coldberry mine by drone. Teesdale, Co Durham. Abandoned places UK.

Cleveland College of Art and Design's award-winning BA Hons Textiles and Surface Design degree programme maintains its excellent reputation for producing creative professionals with a sophisticated awareness of contemporary design, market requirements and professional practice alongside the traditional skills of drawing, colour and technical expertise. It formed the starting point for this exploration of Art Nouveau. These manuscripts were dedicated to her with music from them being performed at the Museum on 24 November Some were bought at auction, some purchased during World War II to raise money for the war effort, others were gifts from the artists or commissioned by The Queen Mother.

To mark the bicentenary of the Parliamentary abolition of the transatlantic slave trade, there was display of fine and decorative arts which traced the demand for luxury goods. Public conservation of View of Amsterdam by Abraham Storck revealed its full story. Conservation took place every Tuesday from 1.

It was put together in the 19th century by the father and son, Anthony and Arthur Blackborne. This national loan exhibition was built around the exciting acquisition by The Bowes Museum, of a portrait by the impressionist painter Paul Helleu. It explored the life of Helleu and other Impressionist artists such as Degas and whistler, and examined the portrayal of society women in late 19th century art.

This selling exhibition of contemporary landscape paintings was by regional artist Sue Lawson, who works in the Romantic English tradition, referencing Turner, Constable and the Impressionists. Paintings of Durham and Richmondshire were accompanied by other fascinating works including depictions of Farnley Hall in Yorkshire and Brinkburn Priory in Northumberland.

The colourful textile exhibition, produced by local community groups, told the story of the landscape, industries and lifestyles that shaped the dale. Intriguing insights into the Napoleonic era were shown in public for the first time. Also featured were works from the British Museum and the National Gallery, the exhibition coincided with the th anniversary of the Battle of Trafalgar. Nineteenth century painter John Sell Cotman continues to inspire generations of artists.

From collections all over Britain, his stunning landscapes were brought together in the exhibition, which focused on paintings of the countryside surrounding The Bowes Museum. In association with Harewood House, Leeds. This exquisite masterpiece acquired amidst huge publicity, and two accompanying works by Titian and Ghirlandaio, were on tour from the National Gallery, London. This major exhibition offered a unique insight into the lives and cultural history of the inhabitants of the ancient Kingdoms of the Nile.

It was on tour from the Sudan National Museum, Khartoum via via the British Museum, where it was shown to great acclaim.